Selective Bibliography:
Theory and Global Art History Books
Ella Shohat and Robert Stam, Unthinking Eurocentrism: Multiculturalism and the Media, 1994
Homi Bhabha, The Location of Culture, 2004
Zoya Kocur, Theory in Contemporary Art since 1985, Blackwell Publishing, second edition 2012
Ruth B Philips and Christopher B. Steiner, Unpacking Culture Art and Commodity in Colonial and Postcolonial Worlds—“My Father’s Business”
Jean Fisher, ed. Global Visions: Toward a New Internationalism in the Visual Arts, Kala Press, 1994
Elain O'Brien et al, eds. Modern Art in Africa, Asia, and Latin America: An Introduction to Global Modernisms, John Wiley, 2013
Charles Greene and Anthony Gardner, Biennials, Triennials and Documenta, The Exhibitions that Created Contemporary Art, 2016
Hans Belting, The Global Contemporary and the rise of new art worlds, 2013
Lucy Steeds, Making Art Global, Part 2, Magiciens de la Terre, 2013
Okwei Enwezor, Postwar: Art between the Pacific and the Atlantic, 1945-1965, 2017
Kobena Mercer, Discrepant Abstraction, MIT 2006
Soul of a Nation: Art in the Age of Black Power, 1963-83, Tate London, 2019
Pepe Karmel, Global Abstraction, Thames and Hudson, 2020
Postwar Europe
Frances Morris and Sarah Wilson, Paris Postwar, Art and Existentialism l945-55, Tate, l993
Antonin Artaud, Works on Paper, ed. Margit Rowell, Museum of Modern Art, 1996
Carter Curtis, Jean Fautrier 1898-1964, Yale, 2002
Rachel E. Perry, “Jean Fautrier’s Jolies Juives,” October, Vol 108, Spring 2004, 51-72
Susan Cooke in, Jean Dubuffet 1943-63, Hirshhorn Museum 1993
Julia Robinson, New Realisms: 1957-1962, MIT Press, 2010
David Mellor, The Sixties Art Scene in London, Phaidon, 1993
David Robbins, The Independent Group: Postwar Britain and the Aesthetics of Plenty, 1990
Richard Hamilton, October Files, MIT Press, 2010
Petra Lange-Berndt, Sigmar Polke: We Petty Bourgeois! Comrades and Contemporaries, The 1970’s, 2011
Hendricks, Jon. “Yoko Ono and Fluxus.” In Yes: Yoko Ono, edited by J. Hendricks and A. Munroe. New York: Japan Society and H. N. Abrams, 2000.
Hiroko Ikegami, The Great Migrator: Robert Rauschenberg and the Global Rise of American Art, MIT 2010
Gerhardt Richter, MOMA, 2002
John Curley, A Conspiracy of Images: Andy Warhol, Gerhardt Richter and the Art of the Cold War, Yale, 2013
Sid Sachs and Kalliopi Minioudaki, Seductive Subversions: Women Pop Artists 1958-1968, Brooklyn Museum, 2010
Kalliopi Minioudaki, “Pop Ladies and Bad Girls: Axell, Pauline Boty and Rosalyn Drexler,” Oxford Art Journal, 2007
Sabine Schaschle, Omer Fast: In Memory, 2010
"Ostalgia", curated by Massimiliano Gioni, New Museum, 2011
Stuart Hall, Familiar Stranger, A Life Between Two Islands, 2018
Kobena Mercer, Frank Bowling, Mappa Mundi, 2017Eddie Chambers, Roots & Culture: Cultural Politics in the Making of Black Britain, I. B. Tauris & Co., (2017)
Latin America
The Social and the Real: Political Art of the 1930’s in the Western Hemisphere, ed. Alejandro Anreus, Penn State Press
Ramirex and Olea, Inverted Utopias: Avant Garde Art in Latin America, Yale, 2004
Robert Stam, Subversive Pleasures: Bakhtin, Cultural Criticism and Film, 1992
Ella Shohat and Robert Stam, Unthinking Eurocentrism: Multiculturalism and the Media, 1994
Luis Camnitzer, et. al, eds. Global Conceptualism: Points of Origin, 1950s-1980s, NY: Queens Museum of Art, 1999.
Carlos Basualdo, Tropicalia, A Revolution in Brazilian Culture, 2005
Mari Carmen Ramírez (ed.), Hélio Oiticica: The Body of Color (exh. cat.), London: Tate Publishing, 2007
Lygia Clark, Whitney Museum Catalogue, 2018
Asia
Bert Winther-Tamaki, Art in the Encounter of Nations: Japanese and American Artists in the Early Postwar Years, University of Hawaii Press, 2001
Ai Weiwei: Spatial Matters-Art Architecture and Activism, Exhibition Catalogue, Brooklyn Museum, 2014
Alexandra Monroe, Gutai: Splendid Playground, Guggenheim Museum, 2013
Sook-Kyung Lee, Nam June Paik, 2011
The Inter-Asia Cultural Studies Reader, ed. Kuan-Hsing Chen and Chua Beng Huan, Routledge, 2007
Jeffrey Wechsler, Asian Traditions, Modern Expressions, 1997
Wu Hung and Peggy Wang, Contemporary Chinese Art: Primary Documents, 2010
Winnie Won Yin Wong, Van Gogh on Demand, China and the Readymade, 2013
Julia F. Andrews, Painters and Politics in the People’s Republic of China, Univ. of California Press, 1994
Chang-Tai Hung, Mao’s New World: Political Culture in the Early People’s Republic, Cornell University Press, 2011
Art in Turmoil, The Chinese Cultural Revolution, ed Richard King, 2010
The Third Mind, American Artists Contemplate Asia, Alexandra Munroe, Guggenheim Museum
Middle East
Gideon Ofrat, One hundred Years of Israeli Art, 1998
Fereshteh Daftari, Without Boundary, MOMA, 2006
Fereshteh Daftari, Iran Modern, Asia Society, 2014
Fereshteh Daftari, Persia Reframed: Iranian Visions of Modern and Contemporary Art, 2020
Iftikahr Dadi, Modernism and the Art of Muslim South Asia, 2010
Geeta Kapur, What was Modernism: Essays on Contemporary Cultural Practice in India, 2000
Iftikhar Dadi, Art in Pakistan: The First Decades in Hanging Fire Contemporary Art from Pakistan, Salima Hashmi ed., Asia Society, 2009
Africa
Elizabeth Harney, In Senghor’s Shadow: Art Politics and the Avant Garde in Senegal, 1960-1995, 2004
David Adjaye, Thelma Golden, Okweui Enwezor, Chris Ofili, 2009
Okwei Enwezor and Chika Okele-Agulu, Contemporary African Art Since 1980, 2009
Okwei Enwezor, The Short Century: Independence and Liberation Movements in Africa 1945-94, 2001
Sidney Littlefield Kasfir, African Art and the Colonial Encounter, Inventing a Global Commodity, Indiana U Press, 2007
Jaimey Hamilton Farris, Uncommon Goods, Global Dimension of the Readymade, 2013
Franz Fanon, The Wretched of the Earth and Black Skins White Masks
Paul Gilroy, The Black Atlantic
Selective Bibliography:
Asia
Bert Winther-Tamaki, Art in the Encounter of Nations: Japanese and American Artists in the Early Postwar Years, University of Hawaii Press, 2001
Ai Weiwei: Spatial Matters-Art Architecture and Activism, Exhibition Catalogue, Brooklyn Museum, 2014
Alexandra Monroe, Gutai: Splendid Playground, Guggenheim Museum, 2013
Sook-Kyung Lee, Nam June Paik, 2011
The Inter-Asia Cultural Studies Reader, ed. Kuan-Hsing Chen and Chua Beng Huan, Routledge, 2007
Jeffrey Wechsler, Asian Traditions, Modern Expressions, 1997
Wu Hung and Peggy Wang, Contemporary Chinese Art: Primary Documents, 2010
Winnie Won Yin Wong, Van Gogh on Demand, China and the Readymade, 2013
Julia F. Andrews, Painters and Politics in the People’s Republic of China, Univ. of California Press, 1994
Chang-Tai Hung, Mao’s New World: Political Culture in the Early People’s Republic, Cornell University Press, 2011
Art in Turmoil, The Chinese Cultural Revolution, ed Richard King, 2010
Middle East
Gideon Ofrat, One hundred Years of Israeli Art, 1998
Fereshteh Daftari, Without Boundary, MOMA, 2006
Fereshteh Daftari, Iran Modern, Asia Society, 2014
Iftikahr Dadi, Modernism and the Art of Muslim South Asia, 2010
Shahzia Sikander
Geeta Kapur, What was Modernism: Essays on Contemporary Cultural Practice in India, 2000
Iftikhar Dadi, Art in Pakistan: The First Decades in Hanging Fire Contemporary Art from Pakistan, Salima Hashmi ed., Asia Society, 2009
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Africa
David Adjaye, Thelma Golden, Okweui Enwezor, Chris Ofili, 2009
Okwei Enwezor and Chika Okele-Agulu, Contemporary African Art Since 1980, 2009
Enwezor in the Short Century
Sidney Littlefield Kasfir, African Art and the Colonial Encounter, Inventing a Global Commodity, Indiana U Press, 2007
Jaimey Hamilton Farris, Uncommon Goods, Global Dimension of the Readymade, 2013
Kobena Mercer, Black Diaspora Art Practices Since the 1980s. Duke University Press, 2016
Elizabeth Harney, In Senghor’s Shadow: Art Politics and the Avant Garde in Senegal, 1960-1995, 2004