A standout amongst her contemporaries, Margaret Neilson Armstrong (1867 - 1944) was noted for her use of symmetry, bold bookcloths (textured, unusual tones), and dynamic ink colors. Included in the cohort of important nineteenth-century women book cover designers - and arguably the most prolific, with over 270 designs to her credit - Armstrong's works reflect her strong interest in the natural world and apply Jugendstil, or Art Nouveau, motifs. In addition to a guide to wildflowers, she later wrote mystery novels and biographies. Over 100 of her wildflower drawings and several of her publishers' bindings are in the permanent collection of the Metropolitan Museum of Art.
An advisor to Boston-based publisher Houghton Mifflin and a noted designer and artist in her own right, Sarah de St. Prix Wyman Whitman (1842 - 1904) influenced a generation of women book designers and was best known for her use of symmetry and "stylized simplicity." An accomplished stained glass artist, she worked with John La Farge, studied under Richard Morris Hunt and also in Paris, and helped fund Radcliffe College and Tuskegee University. Whitman's designs applied the aesthetics of the Arts and Crafts movement and border on abstract, a move away from the era's popular "Eastlake Style". She rarely signed her work; she is credited with over 200 book cover designs, mostly for Houghton Mifflin.
And don't be so sure....