ARTD 3138/7138: Journey to Wakanda: African Art and Popular Culture: Unit 2

Marchand, Trevor Hugh James. “The Djenné Mosque: World Heritage and Social Renewal in a West African Town.” Edited by Smithsonian Libraries and African Art Index Project. Religious Architecture " Anthropological Perspectives., 2013, 117–48.

Powell, Ivor. “Mural Art.” In Ndebele: A People and Their Art, edited by Walter Knir and Mark Hurwitz, 46–68. Cape Town: Struik Publishers, 1996.

Simone, A. M. “‘Remaking African Cities.’” In For the City yet to Come: Changing African Life in Four Cities, 1–19. Durham: Duke University Press, 2006.

Smith, Fred. T. “Gurensi Basketry and Pottery.” African Arts. 12, no. 1 (1978): 78–81.

Wyk, Gary N. Van. “Litema: Art of Earth.” In African Painted Houses: Basotho Dwellings of Southern Africa, 78-81;88-111. New York: Harry N. Abrams, 1998.

Abiodun, Rowland, Ulli Beier, and John Pemberton. In Cloth Only Wears to Shreds: Yoruba Textiles and Photographs from the Beier Collection, edited by Mead Art Museum (Amherst College), 28–32; 34–49. Amherst, Mass.: Mead Art Museum, Amherst College, 2004.

Rabine, Leslie W. “Translating African Textiles into U.S. Fashion Design: Brenda Winstead and Damali Afrikan Wear.” Contemporary African Fashion., 2010, 204–19.

Rasmussen, Susan J. “Dress, Identity, and Gender in Tuareg Culture and Society.” Art of Being Tuareg: Sahara Nomads in a Modern World., 2006, 138–57.

Cole, Herbert M. “Selections.” In Igbo Arts: Community and Cosmos, edited by Chike Cyril Aniakor, Alexander Okwudor Attah, and Los Angeles) Frederick S. Wight Art Gallery (University of California, 111–35. Los Angeles: Museum of Cultural History, University of California, 1984.

Drewal, Henry John. “Beauty and Being: Aesthetics and Ontology in Yoruba Body Art.” In Marks of Civilization: Artistic Transformations of the Human Body, edited by Arnold Rubin, 83–96. Los Angeles, CA: Museum of Cultural History, UCLA, 1995.

Roberts, Allen. “Tabwa Tegumentary Inscription.” In Marks of Civilization: Artistic Transformations of the Human Body, edited by Arnold Rubin, 41–56. Los Angeles, CA: Museum of Cultural History, UCLA, 1995.

Schildkrout, Enid. “Inscribing the Body.” Annual Review of Anthropology, 2004.

Gott, Edith Suzanne. “Ghana’s Glass Beadmaking Arts in Transcultural Dialogues.” African Arts. 47, no. 1 (2014): 10–29.

Kratz, Corinne A, and Donna Pido. “Gender, Ethnicity & Social Aesthetics in Maasai & Okiek Beadwork.” Rethinking Pastoralism in Africa : Gender, Culture & the Myth of the Patriarchal Pastoralist Rethinking Pastoralism in Africa : Gender, Culture & the Myth of the Patriarchal Pastoralist / Ed. by Dorothy L. Hodgson. - Oxford : James Currey, 2000, 43–71.

Heathcote, David. “Aspects of Embroidery in Nigeria.” Art of African Textiles : Technology, Tradition, and Lurex., 1995, 38–40.

Rovine, Victoria. “Selections.” In Bogolan: Shaping Culture through Cloth in Contemporary Mali, 15 – 26, 37 – 52. Bloomington, Ind.; Chesham: Indiana University Press ; Combined Academic [distributor, 2009.