Marchand, Trevor Hugh James. “The Djenné Mosque: World Heritage and Social Renewal in a West African Town.” Edited by Smithsonian Libraries and African Art Index Project. Religious Architecture " Anthropological Perspectives., 2013, 117–48.
Abiodun, Rowland, Ulli Beier, and John Pemberton. In Cloth Only Wears to Shreds: Yoruba Textiles and Photographs from the Beier Collection, edited by Mead Art Museum (Amherst College), 28–32; 34–49. Amherst, Mass.: Mead Art Museum, Amherst College, 2004.
Cole, Herbert M. “Selections.” In Igbo Arts: Community and Cosmos, edited by Chike Cyril Aniakor, Alexander Okwudor Attah, and Los Angeles) Frederick S. Wight Art Gallery (University of California, 111–35. Los Angeles: Museum of Cultural History, University of California, 1984.
Drewal, Henry John. “Beauty and Being: Aesthetics and Ontology in Yoruba Body Art.” In Marks of Civilization: Artistic Transformations of the Human Body, edited by Arnold Rubin, 83–96. Los Angeles, CA: Museum of Cultural History, UCLA, 1995.
Roberts, Allen. “Tabwa Tegumentary Inscription.” In Marks of Civilization: Artistic Transformations of the Human Body, edited by Arnold Rubin, 41–56. Los Angeles, CA: Museum of Cultural History, UCLA, 1995.
Kratz, Corinne A, and Donna Pido. “Gender, Ethnicity & Social Aesthetics in Maasai & Okiek Beadwork.” Rethinking Pastoralism in Africa : Gender, Culture & the Myth of the Patriarchal Pastoralist Rethinking Pastoralism in Africa : Gender, Culture & the Myth of the Patriarchal Pastoralist / Ed. by Dorothy L. Hodgson. - Oxford : James Currey, 2000, 43–71.