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ARTD 3138/7138: Journey to Wakanda: African Art and Popular Culture: Bibliography

Special Topics in Art History, Graduate Seminar (R6)

Bibliography

Abiodun, Rowland, Ulli Beier, and John Pemberton. In Cloth Only Wears to Shreds: Yoruba Textiles and Photographs from the Beier Collection, edited by Mead Art Museum (Amherst College), 28–32; 34–49. Amherst, Mass.: Mead Art Museum, Amherst College, 2004.

Arnoldi, Mary Jo, and Christine Mullen Kreamer. “Selections: Introduction ; Zulu Woman’s Hat.” In Crowning Achievements: African Arts of Dressing the Head, edited by Los Angeles University of California and Fowler Museum of Cultural History, 9 – 25, 40 – 41. Los Angeles, Calif.: Fowler Museum of Cultural History, University of California, Los Angeles, 1995.

Bay, Edna G. “Along the Slave Coast.” In Wives of the Leopard: Gender, Politics, and Culture in the Kingdom of Dahomey, edited by American Council of Learned Societies, 1 – 39. Charlottesville: University of Virginia Press, 1998. http://hdl.handle.net/2027/heb.02559.

———. “The Military in the Late Eighteenth Century.” In Wives of the Leopard: Gender, Politics, and Culture in the Kingdom of Dahomey, 129 – 142. Charlottesville: University of Virginia Press, 1998.

Boateng, Boatema. The Copyright Thing Doesn’t Work Here Adinkra and Kente Cloth and Intellectual Property in Ghana. Minneapolis; London: University of Minnesota Press, 2011.

Bosko, Dan. “Why Basotho Wear Blankets.” African Studies : A Quarterly Journal Devoted to the Study of African Administration, Cultures and Languages African Studies 40, no. 1 (1981): 23–32.

Bristow, Tegan. “We Want the Funk: What Is Afrofuturism to the Situation of Digital Arts in Africa?” Technoetic Arts 10, no. 1 (2012): 25–32.

Carter, Ruth. “Forest Whitaker.” Ruth E Carter (blog), July 16, 2017. https://ruthecarter.com/designing-for-forest-whitaker/.

Carton, Benedict, and Robert Morrell. “Zulu Masculinities, Warrior Culture and Stick Fighting: Reassessing Male Violence and Virtue in South Africa.” Journal of Southern African Studies 38, no. 1 (2012): 31–53.

Cobb, Jelani. “‘Black Panther’ and the Invention of ‘Africa.’” The New Yorker, February 18, 2018. https://www.newyorker.com/news/daily-comment/black-panther-and-the-invention-of-africa.

Cole, Herbert M. “Selections.” In Igbo Arts: Community and Cosmos, edited by Chike Cyril Aniakor, Alexander Okwudor Attah, and Los Angeles) Frederick S. Wight Art Gallery (University of California, 111–35. Los Angeles: Museum of Cultural History, University of California, 1984.

Drewal, Henry John. “Beauty and Being: Aesthetics and Ontology in Yoruba Body Art.” In Marks of Civilization: Artistic Transformations of the Human Body, edited by Arnold Rubin, 83–96. Los Angeles, CA: Museum of Cultural History, UCLA, 1995.

Eells, Josh, and Josh Eells. “Ryan Coogler: Why I Needed to Make ‘Black Panther.’” Rolling Stone (blog), February 26, 2018. https://www.rollingstone.com/movies/movie-features/ryan-coogler-why-i-needed-to-make-black-panther-203737/.

Elliott, Aubrey. “Excerpt.” In The Magic World of the Xhosa, 83 – 95. London: Collins, 1981.

Eyo, Ekpo. “Repatriation of Cultural Heritage: African Experience.” In Museums and the Making of “Ourselves”: The Role of Objects in National Identity, edited by Flora S Kaplan, 330–50. London: Leicester University Press, 1997.

Faris, James C. “Selections.” In Nuba Personal Art, 55, 58 – 70, 83 – 90. London: Duckworth, 1972.

Geschiere, Peter. “Introduction.” In The Perils of Belonging: Autochthony, Citizenship, and Exclusion in Africa and Europe. Chicago: Univ. of Chicago Press, 2010.

Gott, Edith Suzanne. “Ghana’s Glass Beadmaking Arts in Transcultural Dialogues.” African Arts. 47, no. 1 (2014): 10–29.

Guan, Craig Jenkins, Frank. “How Do We Talk About Cultural Appropriation Between People of Color?” Vulture, March 16, 2018. https://www.vulture.com/2018/03/bruno-mars-cultural-appropriation-between-people-of-color.html.

Hamilton, Elizabeth Carmel. “Afrofuturism and the Technologies of Survival.” Edited by African Art Index Project. African Arts 50 (2017): 18–23.

Haughin, Casey. “Why Museum Professionals Need to Talk about Black Panther.” The Hopkins Exhibitionist (blog), February 22, 2018. https://jhuexhibitionist.com/2018/02/22/why-museum-professionals-need-to-talk-about-black-panther/.

Heathcote, David. “Aspects of Embroidery in Nigeria.” Art of African Textiles : Technology, Tradition, and Lurex., 1995, 38–40.

Igbafe, Philip. “The History of the Benin Kingdon: An Overview.” In Benin Kings and Rituals: Court Arts from Nigeria, edited by Barbara Plankensteiner and Museum für Völkerkunde Wien, 41–53. Ghent: Snoeck, 2007.

Johnson, Tre. “Black Panther Is a Gorgeous, Groundbreaking Celebration of Black Culture.” Vox, February 23, 2018. https://www.vox.com/culture/2018/2/23/17028826/black-panther-wakanda-culture-marvel.

Keeshig-Tobias, Lenore. “Appropriation in Art and Narrative: Stop Stealing Native Stories.” In Borrowed Power: Essays on Cultural Appropriation, edited by Bruce H Ziff and Pratima V Rao, 71–73. New Brunswick, N.J.: Rutgers University Press, 1997.

Kendall, Timothy. “Introduction; Ch. 1: Egypt, Nubia, and the Nile Trade.” In Kerma and the Kingdom of Kush: 2500-1500 B.C. : The Archaeological Discovery of an Ancient Nubian Empire ; [Published in Conjunction with the Exhibition The Ancient Nubian City of Kerma, 2500-1500 B.C. ..., 1–17. Washington, D.C.: National Museum of African Art, 1997.

Khau, Mathabo. “Gender and the Politics of the Basotho Blanket.” In Was It Something I Wore?: Dress, Identity, Materiality, edited by Relebohile Moletsane, Claudia Mitchell, and Ann Smith, 95 – 111. Cape Town, South Africa: HSRC Press, 2012.

Kratz, Corinne A, and Donna Pido. “Gender, Ethnicity & Social Aesthetics in Maasai & Okiek Beadwork.” Rethinking Pastoralism in Africa : Gender, Culture & the Myth of the Patriarchal Pastoralist Rethinking Pastoralism in Africa : Gender, Culture & the Myth of the Patriarchal Pastoralist / Ed. by Dorothy L. Hodgson. - Oxford : James Currey, 2000, 43–71.

Law, Robin. “The ‘Amazons’ of Dahomey.” Paideuma : Mitteilungen Zur Kulturkunde Paideuma / Frobenius-Institut, 1993, 245–60.

Lebron, Christopher. “‘Black Panther’ Is Not the Movie We Deserve.” Boston Review, February 16, 2018. http://bostonreview.net/race/christopher-lebron-black-panther.

Loughran, Kristyne. “Tuareg Women and Their Jewelry.” In Art of Being Tuareg: Sahara Nomads in a Modern World, edited by Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, Los Angeles University of California, and Fowler Museum of Cultural History, 167–93. Los Angeles: Iris & B. Gerald Cantor Center for Visual Arts at Stanford University : UCLA Fowler Museum of Cultural History, 2006. http://catalog.hathitrust.org/api/volumes/oclc/61859773.html.

Marchand, Trevor Hugh James. “The Djenné Mosque: World Heritage and Social Renewal in a West African Town.” Edited by Smithsonian Libraries and African Art Index Project. Religious Architecture " Anthropological Perspectives., 2013, 117–48.

McDonnell, Tim. “Ghanaian Fans Have One Nit To Pick But Otherwise Adore ‘Black Panther.’” NPR, February 20, 2018. https://www.npr.org/sections/goatsandsoda/2018/02/20/587224592/ghanaian-fans-have-one-nit-to-pick-but-otherwise-adore-black-panther.

Okeke-Agulu, Chika. “Outrage over Hiring a White Woman as African Art Curator Misunderstands Expertise.” Frieze, April 2018. https://frieze.com/article/outrage-over-hiring-white-woman-african-art-curator-misunderstands-expertise.

Oladipo, Olowookere Peter. “The Yoruba Clothing Culture; Its Forms and Contents.” Journal of Pristine 12, no. 1 (June 2016): 13.

Powell, Ivor. “Beads and Adornments.” Ndebele : A People & Their Art / Author, Ivor Powell; Photographer, Mark Lewis; Ndebele Advisor & Project Co-Ordinator, Mark Hurwitz., 1995, 108–37.

———. “Mural Art.” In Ndebele: A People and Their Art, edited by Walter Knir and Mark Hurwitz, 46–68. Cape Town: Struik Publishers, 1996.

Rabine, Leslie W. “Translating African Textiles into U.S. Fashion Design: Brenda Winstead and Damali Afrikan Wear.” Contemporary African Fashion., 2010, 204–19.

Ragbir, Lise. “What Black Panther Gets Right About the Politics of Museums.” Hyperallergic, March 21, 2018. https://hyperallergic.com/433650/black-panther-museum-politics/.

Rasmussen, Susan J. “Dress, Identity, and Gender in Tuareg Culture and Society.” Art of Being Tuareg: Sahara Nomads in a Modern World., 2006, 138–57.

Roberts, Allen. “Tabwa Tegumentary Inscription.” In Marks of Civilization: Artistic Transformations of the Human Body, edited by Arnold Rubin, 41–56. Los Angeles, CA: Museum of Cultural History, UCLA, 1995.

Ross, Doran H. “Ross ‘Asante: Kingdom of Cloth’ and ‘A Beautiful Cloth Does Not Wear Itself.’” In Wrapped in Pride: Ghanaian Kente and African American Identity, 31–57. Seattle, Wash.; Chesham: University of Washington Press ; Combined Academic, 2002.

Rovine, Victoria. “Selections.” In Bogolan: Shaping Culture through Cloth in Contemporary Mali, 15 – 26, 37 – 52. Bloomington, Ind.; Chesham: Indiana University Press ; Combined Academic [distributor, 2009.

Schildkrout, Enid. “Inscribing the Body.” Annual Review of Anthropology, 2004.

———. “Les Parisiens d’Afrique: Mangbetu Women as Works of Art.” Black Womanhood: Images, Icons, and Ideologies of the African Body., 2008, 70–93.

Simone, A. M. “‘Remaking African Cities.’” In For the City yet to Come: Changing African Life in Four Cities, 1–19. Durham: Duke University Press, 2006.

Smith, Fred. T. “Gurensi Basketry and Pottery.” African Arts. 12 (1978): 78–81.

Stylianou, Nicola. “Designing for a New Nigeria: Hayes Textiles Limited and the British Manufacture of Gele in the Postcolonial Period.” In Design Objects and the Museum, edited by Liz Farrelly and Joanna Weddell, 41 – 50, 2016.

Vogel, Susan Mullin. “Baule Scarification: The Mark of Civilization.” Marks of Civilization : Artistic Transformations of the Human Body / Edited by Arnold Rubin., 1988, 97–106.

White, Erin. “INTERVIEW: All Hail the Fashion Queen of Wakanda, Costume Designer Ruth E. Carter.” AFROPUNK, December 13, 2017. https://afropunk.com/2017/12/interview-hail-fashion-queen-wakanda-costume-designer-ruth-e-cater/.

Willis, Liz. “Uli Painting and the Igbo World View.” African Arts. 23 (1989): 62–67.

Wyk, Gary N. Van. “Litema: Art of Earth.” In African Painted Houses: Basotho Dwellings of Southern Africa, 78-81;88-111. New York: Harry N. Abrams, 1998.