Adepitan, Ade, Andy Wells, Bullfrog Films, Firecrest Films, and British Broadcasting Corporation. The secret life of your clothes, 2016. http://docuseek2.com/bf-slife.
Afoláyan, Michael Oládèjo, and Betty Wass. “Yoruba Headties.” In Crowning Achievements : African Arts of Dressing the Head / Mary Jo Arnoldi and Christine Mullen Kreamer; with Contributions by Michael Oládèjo Afoláyan ... [et Al.]., 138–45, 1995.
Arnoldi, Mary Jo. “Crowning Glories: The Head and Hair.” In Crowning Achievements : African Arts of Dressing the Head / Mary Jo Arnoldi and Christine Mullen Kreamer; with Contributions by Michael Oládèjo Afoláyan ... [et Al.]., 52–67. Los Angeles, Calif.: Fowler Museum of Cultural History, University of California, Los Angeles, 1995.
Bastian, Misty L. “Female ‘alhajis’ and Entrepreneurial Fashions: Flexible Identities in Southeastern Nigerian Clothing Practice.” In Clothing and Difference: Embodied Identities in Colonial and Post-Colonial Africa / Ed. by Hildi Hendrickson. -, 97–132. Durham, N.C.: Duke University Press, 1996.
———. “The Naked and the Nude: Historically Multiple Meanings of ‘Oto’ (Undress) in Southeastern Nigeria.” In Dirt, Undress, and Difference : Critical Perspectives on the Body’s Surface. Indiana University Press, 2005.
Brett-Smith, Sarah C. “Leaves and Mud.” In The Silence of the Women: Bamana Mud Cloths, 2014.
Comaroff, Jean. “The Empire’s Old Clothes : Fashioning the Colonial Subject.” In Cross-Cultural Consumption. Global Markets, Local Realities. London; New York: Routledge, 1996. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=83057.
Elands, Helen. “Dutch Wax Classics: The Designs Introduced by Ebenezer Brown Fleming circa 1890-1912 and Their Legacy.” In African-Print Fashion Now! A Story of Taste, Globalization, and Style., 2017.
Gillow, John. African Textiles. San Francisco: Chronicle Books, 2003.
Giuntini, Christine, Alisa LaGamma, and N.Y.) Metropolitan Museum of Art (New York. “West African Cloth: Techniques and Traditions.” In
The Essential Art of African Textiles: Design without End, 25–35. New York; New Haven: Metropolitan Museum of Art ; Yale University Press, 2008.
http://books.google.com/books?id=PftJAQAAIAAJ.
Gott, Edith Suzanne. “The Ghanaian Kaba : Fashion That Sustains Culture.” In
Contemporary African Fashion, 10–27, 223. Bloomington [Ind.]: Indiana University Press, 2010.
http://site.ebrary.com/id/10481742.
Gott, Suzanne. “Asante Hightimers and the Fashionable Display of Women’s Wealth in Contemporary Ghana.” Fashion Theory, no. 2 (2009): 141.
Grosfilley, Anne. African Wax Print Textiles. Translated by Rachel French. Munich: Prestel, 2018
Hansen, Karen Tranberg.
African Dress: Fashion, Agency, Performance. London: Bloomsbury Academic, 2013.
http://public.eblib.com/choice/publicfullrecord.aspx?p=1334386.
———. “Dressing Dangerously: Miniskirts, Gender Relations, and Sexuality in Zambia.” In Fashioning Africa: Power and the Politics of Dress., 166–85. Bloomington: Indiana University Press, 2004.
Hendrickson, Hildi. Introduction in Clothing and Difference: Embodied Identities in Colonial and Post-Colonial Africa., 1-16. Durham: Duke University Press, 1996.
Hobbs, Robert. “Yinka Shonibare MBE : The Politics of Representation.” In Yinka Shonibare MBE, 2014.
Jansen, M. Angela. “Moroccan Fashion as Tradition, Three Generations of Moroccan Fashion Designers.” In Moroccan Fashion: Design, Culture and Tradition, 2014.
Jennings, Helen. New African Fashion. Munich: Prestel, 2012.
Junger, Karin, and Wessel van de Hammen. Mama-Benz & the taste of money. Hilversum: Ikon, 2002.
Junger, Karin, National Film Board of Denmark, Ryninks Films (Firm), IKON, Radio Nederland Television, and inc Filmakers Library.
Mama Benz and the taste of money. Filmakers Library, 2003.
http://www.aspresolver.com/aspresolver.asp?VASC;1641539.
Kreamer, Christine Mullen. “Practical Beauty : Headgear for Daily Wear ; Spectacular Hats for Special Occasions.” In Crowning Achievements: African Arts of Dressing the Head, 98–125. Los Angeles, Calif.: Fowler Museum of Cultural History, University of California, Los Angeles, 1995.
Miescher, Suzanne. “‘Bringing Fabrics to Life’: Akosombo Textiles Limited of Ghana.” In African-Print Fashion Now! A Story of Taste, Globalization, and Style., 2017.
Mustafa, Hudita Nura. “Intersecting Creativities: Oumou Sy’s Costumes in the Dakar Landscape.” In Contemporary African Fashion., 122–37, 2010
Nettleton, Anitra. “19th-Century Beaded Histories : Tracing the Inventions of Tradition through the Photographic Image.” In Beadwork, Art and the Body: Dilo Ts̆e Dintshi = Abundance., Chapter 2, page 8–27, 144–49. Johannesburg: Wits University Press, 2015.
Pool, Hannah. “Johannesburg.” In Fashion Cities: Africa. Brighton Museum & Art Gallery (Brighton). Bristol; Chicago: Intellect, 2016.
Rabine, Leslie W. “Fashionable Photography in Mid-Twentieth-Century Senegal.” jour dres bod cul Fashion Theory: The Journal of Dress, Body & Culture 14, no. 3 (2010): 305–30.
Richards, Christopher. “‘A New Chapter for Xhosa Beadwork’: Laduma Ngxokola and His Promotion of a Xhosa Heritage.” In Beadwork, Art and the Body: Dilo Ts̆e Dintshi = Abundance., 108–25. Smithsonian Libraries, 2015.
———. “‘The Models for Africa’: Accra’s Independence-Era Fashion Culture and the Creations of Chez Julie.” African Arts. 49 (2016): 8–21.
Ross, Doran H. Wrapped in Pride: Ghanaian Kente and African American Identity ; [Catalog Accompanying an Exhibition of the Same Name Held at the Newark Museum and the UCLA Fowler Museum of Cultural History. Los Angeles: Fowler Museum of Cultural History, 1998.
Rovine, Victoria. “Fashionable Traditions: The Globalization of an African Textile.” In Fashioning Africa: Power and the Politics of Dress., 189–211, 2004.
———. “Ghana Boys in Mali: Fashion, Youth, and Travel.” In African Dress: Fashion, Agency, Performance., 124–37, 2013.
———. “Indigenous Fashion: Embroidery and Innovation in Mali.” In African Fashion, Global Style: Histories, Innovations, and Ideas You Can Wear. Bloomington: Indiana University Press, 2015.
———. “Nubia in Paris : African Style in French Fashion.” In African Fashion, Global Style: Histories, Innovations, and Ideas You Can Wear. Bloomington: Indiana University Press, 2015.
———. “‘Tourist Market Bogolan’ and ‘Culture Through Clothing.’” In Bogolan: Shaping Culture through Cloth in Contemporary Mali. Bloomington, Ind.; Chesham: Indiana University Press ; Combined Academic [distributor, 2009.
———. “Viewing Africa through Fashion.” Fashion Theory. 13 (2009): 133–39.
Smuts, Helene, and Petrus Khobongo Mahlangu. “‘Looking Deeply on the Way My Mother Does Her Beadwork’: Conversations with Three Foremost Ndebele Beadwork Artists.” In Beadwork, Art and the Body: Dilo Ts̆e Dintshi = Abundance., 126–43. Smithsonian Libraries. Johannesburg: Wits University Press, 2015.
Sylvanus, Nina. “The Fabric of Africanity.” Anthropological Theory 7, no. 2 (2007): 201–16.
