Image attribution: Degas,Edgar Hilaire. (1872). The Dance Foyer at theOpera on rue le Peletier.. Retrieved from https://library.artstor.org/asset/SS36847_36847_34507296
Armstrong, Carol M. “Duranty on Degas : A Theory of Modern Painting.” In Odd Man out: Readings of the Work and Reputation of Edgar Degas, 163–83. Los Angeles, Calif.: Getty Research Institute, 2003.
Dombrowski, André. “History, Memory, and Instantaneity in Edgar Degas’s ‘Place de La Concorde.’” The Art Bulletin 93, no. 2 (2011): 195–219. https://www.jstor.org/stable/23046593.
